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Canon EOS C-500 Cinema Camera

Price:
PKR 1,399,999
Availability:

Availability: In stock

Canon
10 - 12 Working Days
1 Year International
Description

Details

iShopping.pk brings to you the best price for Canon EOS C-500 Cinema Camera with 1 year international warranty and free shipping all over Pakistan.

 

The Canon EOS C500 4K Cinema Camera (PL Lens Mount) represents Canon's first foray into the world of 4K digital cinema production. Sharing a sensor with the earlier EOS C300 PL camera, the EOS C500 PL fulfills the potential of the large (Super 35mm-size), high-resolution (8.8 Mp effective) CMOS imager by offering full 4K RAW output via 3G-SDI.

The C500 PL also has a body type in common with the C300 PL. Featuring large, accessible buttons with ridges dividing them, the EOS C500 PL has been designed expressly for the craft of digital cinema. Its signal output is similarly appropriate: At rates up to 60 frames per second, the 10-bit 4K RAW data stream output can be recorded to an approved external device (sold separately) at full resolution. Using a format called 4K half RAW, which halves the horizontal resolution, you can capture up to 120 fps to the external recorder by using both of the C500 PL's 3G-SDI outputs.

The Canon EOS C500 PL integrates with time-tested feature film production workflows. As 4K RAW data is being recorded externally, you can record proxy files at 50 Mb/s to the camera's internal CF card so rough-cut or dailies editing can begin immediately after a scene is complete. For the widest latitude for color correction in post-production, the camera offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and a greatly expanded dynamic range.

As its name suggests, the EOS C500 PL features a PL mount for compatibility not only with a broad range of compatible cine lenses from manufacturers like Angenieux and Zeiss, but also with Canon's burgeoning line of Cinema EOS lenses for PL mount. These lenses are designed to match up perfectly with the 3-perf Super 35mm-size CMOS sensor of this camera. Like the camcorder, these lenses (sold separately) were developed specifically for digital cinema, with engraved markings on angled surfaces in meters and feet and uniform front diameters for easy lens switching without having to reconfigure a matte box or follow focus gearing.

 

Canon Super 35mm CMOS Sensor

Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an effective resolution of 4096 x 2160. The image sensor employs an innovative readout technique that delivers full-bandwidth individual RGB video components without the need for any de-Bayering algorithms

 

RAW 4K Output

Using a single 3G-SDI output, the C500 PL is able to output a full 4K RAW (4096 x 2160-pixel) data stream in 10-bit color space, with full Bayer encoding and frame rates up to 60 fps. Using both of the camera's 3G-SDI outputs, the frame rate can jump as high as 120 fps, but with the horizontal resolution reduced by half and then interpolated back in

 

Canon Log Gamma

Shooting in Canon Log mode, cinematographers can set the camera exposure value using their customary light meter practices. This nonlinear transfer function is specifically designed to facilitate the post-production of digital images originating in Cinema EOS in a manner similar to the post-production of images digitally transferred from motion picture film (the contemporary DI process). By managing the disposition of quantization bits, Canon Log ensures excellent tonal reproduction within both highlight and low-light regions of a given digital image

 

Canon EOS C500 with PL Lens Mount

Designed to integrate into existing production setups, the EOS C500 PL is fully compatible with a wide variety of industry-standard PL-mount lenses, ensuring it will work seamlessly with trusted optics already in the filmmaker's possession. Compatibility with Canon's existing PL mount lenses means filmmakers can take advantage of the new optical designs Canon has developed for the cinema market

 

Canon Cinema EOS Lenses, Available in PL Mount

Some Canon Cinema EOS lenses (sold separately) are available in both PL and EF configurations. They're designed and engineered to meet or exceed the exacting standards of working professionals. Every Canon Cinema EOS lens is designed to fulfill contemporary 4K production standards, surpassing the performance requirements of any HD imaging system. Zoom lenses feature large aspherical lens elements to achieve sharp, consistent images in every shooting situation. Geared inner focusing minimizes focus-induced changes in the angle of view, rendering focus breathing virtually zero. The 11-blade aperture diaphragms ensure smooth out-of-focus areas and beautiful bokeh – and innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. Cinema EOS lenses provide markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or either side of the camera. Focus markings can be switched from standard labeling to metric. Control rings are designed to maintain the proper amount of resistance with consistent operating torque. Cinema EOS lenses share uniform gear position, diameter and rotation angle as well as front lens diameters, enabling the film crew to quickly change to another Canon zoom or prime lens or compatible third-party accessories like matte boxes and rods without adjustments

 

Designed with Filmmakers in Mind

With everything a cinematographer needs, the EOS C500 PL comes ready to produce. A logical layout of buttons and dials make operation simple. A lock switch turns off all controls except the recording button and function buttons. Small ridges between the buttons help prevent activating functions by mistake. A backlit display panel is great for low-light viewing. A tally lamp is clearly visible from the side or behind the camera

 

Comfortable Ergonomic Controls

The moment you pick up the EOS C500 PL, you'll feel right at home. Four separate start/stop buttons and 15 other customizable buttons distributed over the camera body mean quiet and intuitive access

 

Accommodating File-Based Production

The Cinema EOS system creates full HD proxy files in the internationally standardized Material eXchange Format (MXF), wrapping video and audio with metadata in a single file that maintains access to critical information throughout the production process

 

 

 

Specification:

Sensor

Effective Pixels

4096 x 2160 pixels, approx. 8.85 megapixels

Total Pixels

4206 x 2340 pixels, approx. 9.84 megapixels

Sensor Type

CMOS

Scanning System

Progressive

Filter

RGB Primary Color Filter (Bayer Array)

Processor

Digic DV III

Minimum Illumination

59.94 Hz Mode: 0.3 Lux (f/1.2, 24 dB, 29.97p, 1/30 sec.)

 

50.00 Hz Mode: 0.25 Lux (f/1.2, 24 dB, 25p, 1/25 sec.)

Sensitivity

59.94 Hz Mode: F9 (1920 x 1080/59.94i, ISO 640 (0 dB), 2000 lux, 89.9% Reflection)

 

50.00 Hz Mode: F10 (1920 x 1080/50i, ISO 640 (0 dB), 2000 lux, 89.9% Reflection)

S/N Ratio

59.94 Hz Mode: 54 dB (1920x1080/29.97p, Canon Log, ISO 850, Dynamic Range 800%)

 

50.00 Hz Mode: 54 dB (1920x1080/25p, Canon Log, ISO 850, Dynamic Range 800%)

Dynamic Range

During Normal Shooting: 300%

 

With Canon Log Gamma: 800% (ISO 850 or above, gain 2.5dB or above)

Lens System

Mount Type

PL

ND Filter

Mechanical ND filter system with option of clear, 2, 4, and 6 stops

Iris Dial

Iris Dial located on camera body for use with EOS EF Lenses with electronic Iris control

Peripheral Illumination Correction

Yes

Exposure Control

Gain

Normal Setting: -6 ~ 30 dB

 

Fine Setting: 0 ~ 24 dB in 0.5 dB increments

ISO

320 ~ 80,000

Shutter Modes

OFF; Speed; Angle; Slow Shutter; Clear Scan

 

Speed Mode is selected in 1/3 or ¼ stop increments

Shutter Speed Range

59.94i/59.94p: 1/60 ~ 1/2000 in 1/4 or 1/3 stops

 

SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.27 Hz

 

29.97p: 1/30 ~ 1/2000 in 1/4 or 1/3 stops

 

SLS: 1/4, 1/8, 1/15; CS: 29.97 Hz - 250.27 Hz

 

23.98p/24p: 1/24 ~ 1/2000 in 1/4or 1/3 stops

 

SLS: 1/3, 1/6, 1/12; CS: 23.97 Hz - 250.27 Hz

 

50i/50p: 1/50 ~ 1/2000 in 1/4 or 1/3 stops

 

SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.78 Hz

 

25p: 1/25 ~ 1/2000 in 1/4 or 1/3 stops

 

SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.78 Hz

Shutter Angle Settings

59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

 

29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25

 

23.98p/24p: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25

 

50i/50p: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25

 

25p: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25

Iris Control

With compatible EF lenses: 1/2, 1/3 stop, or fine setting

White Balance

Kelvin Setting: 2,000K ~ 15,000K in 100K increments

 

Presets: Daylight (5,400K); Tungsten (3,200K); Kelvin

 

White balance shift is available within Presets (-9 to +9)

Auto Black Balance

Yes

Recording

External Recording Output

4K RAW 10bit 4096x2160 or 3840x2160 at 59.94p/29.97p/23.98p/50p/25p/24p

 

4K RAW 10bit 4096x1080 or 3840x1080 at 62p up to 119.88p in 2 frame steps

 

2K RGB 444 12bit 2048x1080 or 1920x1080 at 59.94p/29.98p/23.98p/50p/25p/24p)

 

2K RGB 444 10bit 2048x1080 or 1920x1080 at 59.94p/29.98p/23.98p/50p/25p/24p)

 

2K YCC 422 10bit 2048x1080 or 1920x1080 62p up to 119.88p in 2 frame steps

Compression

Video: 8 Bit MPEG-2 Long GOP

 

Audio: Linear PCM; 2-Channel; 16-Bit; 48 kHz

Maximum Bit Rate

50Mbps (CBR)

Recording Options

50 Mbps (CBR) 4:2:2 422P@HL

 

1920x1080 at 59.94i/29.98p/23.98p/50i/25p/24.00p

 

1280x720 at 59.94/29.98p/23.98p/50p/25p/24.00p

 

35 Mbps (VBR) 4:2:0 MP@HL

 

1920x1080 at 59.94i/29.98p/23.98p/50i/25p

 

1280x720 at 59.94/29.98p/23.98p/50p/25p

 

25 Mbps (CBR) 4:2:0 MP@H14

 

1440x1080 at 59.94i/29.98p/23.98p/50i/25p

Recording Time

2GB: 5 min (at 50 Mbps), 5 min (at 35 Mbps), 10 min (at 25 Mbps)

 

4GB: 10 min (at 50 Mbps), 10 min (at 35 Mbps), 20 min (at 25 Mbps)

 

8GB: 20 min (at 50 Mbps), 25 min (at 35 Mbps), 40 min (at 25 Mbps)

 

16GB: 40 min (at 50 Mbps), 55 min (at 35 Mbps), 80 min (at 25 Mbps)

 

32GB: 80 min (at 50 Mbps), 110 min (at 35 Mbps), 155 min (at 25 Mbps)

 

64GB: 160 min (at 50 Mbps), 225 min(at 35 Mbps), 310 min (at 25 Mbps)

Recording Media

CF Card (Type 1 Only); 2 Slots (Movie Files); UDMA supported

 

SD/SDHC/SDXC cards (JPEG), Custom Picture Data*, Clip Metadata, and menu settings 

 

*Custom Picture Data and settings are not compatible with data from others Canon models

File Format

MXF (OP-1a)

Maximum Clip Number

999 (per media)

Audio Features

Recording Channel Selection: CH1/CH2, CH1/CH1, CH2/CH2, ALL CH/ALL CH

 

XLR Mic Trimming: -12dB, -6 dB, 0dB or +12 dB

 

Limiter: available

 

Recording Level Adjustment Range: - Infinity to +18dB

 

Phantom Power: +48V

 

Headphone Adjustment: 16 Settings (volume is muted at lowest setting)

 

1 KHz Tone: -12, -18, or -20 dB

Slow and Fast Motion Recording

This feature records at a different frame rate then the playback rate, allowing for fast and slow motion effects. Slow and Fast Motion Recording is available in 4K and 2K modes to external recording devices.

 

4K RAW (4096x2160/3840x2160)

 

1-60 fps (60Hz/24:00); 1-50 (50Hz) 

 

4K HRAW (4096x1080/3840x1080)

 

1-60, 62-120 in 2 frame increments (60Hz/24:00); 1-50, 52-100 in 2 frame increments (50Hz) 

 

2K RGB 4:4:4 (2048x1080/1920x1080)

 

1-60. 62-120 in 2 frame increments (60Hz/24:00); 1-50, 52-100 in 2 frame increments (50Hz) 

 

2K YCC 4:2:2 (2048x1080/1920x1080)

 

1-60, 62-120 in 2 frame increments (60Hz/24:00); 1-50, 52-100 in 2 frame increments (50Hz) 

 

50 Mbps 1920x1080

 

1-30 (29.97p/23.98p/24.00p); 1-25 (50i/25p) 

 

50 Mbps 1280x720

 

1-60 (59.94p/29.97p/23.98p/24.00p); 1-50 (50p/25p) 

 

35 Mbps 1920x1080

 

1-30 (29.97p/23.98p/24.00p); 1-25 (50i/25p) 

 

35 Mbps 1280x720

 

1-60 (59.94p/29.97p/23.98p/24.00p); 1-50 (50p/25p) 

 

25 Mbps 1440x1080

 

1-30 (29.97p/23.98p)

Time Code

Drop Frame (not available in 24P)

 

Non-Drop Frame

Time Code Modes

Regeneration, Record Run, Free Run and External Source

Special Recording Functions

Relay Recording, Double-Slot Recording, Copying between Media, Photo Recording Mode, Waveform Monitor (Standard and RGB Component modes), Vectorscope, Peaking (2 types), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode, Interval Record, Frame Record Pre-Record (3 seconds cache), Scan Reverse

Display

Electronic View Finder

Viewing Angle Adjustment: viewing Angle can be adjusted up and down 60°

 

Diopter Adjustment Range: +2.0 to -5.5

 

Adjustments: brightness, contrast, color, and backlight

Monitor

Type: LCD

 

Display Adjustments: brightness, contrast, color, sharpness, and backlight

   

Input/Output

HD/SD-SDI

HD 8-bit 4:2:2 (YPbPr) 1920x1080: 59.94i/50i/23.98/24.00, 1280x720: 59.94p/50p/23.98/24.00

 

SD 8-bit 4:2:2 (YPbPr) 480: 59.94i, 576: 50i BNC Connector, output only

 

NTSC 480i/PAL 576i: Compliant with SMTPE 259M

 

Embedded Audio: Compliant with SMTPE 272M

 

Time Code Standard: (VITC/LTC) SMTPE 12M

 

HD-SDI: (Compliant with SMTPE 292M) 

 

1080i/720p: Compliant with SMTPE 292M

 

Embedded Audio: Compliant with SMTPE 299M

3G-SDI

Connector: 2x BNC

 

Output Modes: RAW (10-bit); RGB 4:4:4 (10-bit/12-bit); YCC 4:2:2 (10-bit) 

 

Frame Rates: 23.98p/24.00p/25.00p/29.97p/59.94p/50p

Audio Inputs

2x XLR inputs (auto and manual level settings) 

 

1x External microphone terminal (3.5 mm diameter)

Video Output

Connector: 2x BNC

 

Resolution: 2048x1080 / 1920x1080

 

Frame Rates: 23.98p/24.00p/25.00p/29.97p/30p/59.94p/50p/60p

 

Color Space: YPbPr 10-bit

Time Code I/O

Connector: BNC (Input and Output)

Genlock

Connector: BNC (Input Only)

 

Adjustment range: -1023 ~ 1023

Synch Out

Connector: BNC

 

(1) HD tri-level signal (HD Sync) 1920x1080: 59.94i/50i/23.98/24.00, 1280x720: 59.94p/50p/23.98, 24.00; The HD standard analog component Y signal with the black muted is output. (2) HD-Y signals (HD-Y) 1920x1080: 60i, 59.94i/50i, 1280x720: 60p/59.94p/50p; Only the HD standard analog component Y signal is output. (3) Black burst signal 480: 59.94i, 576: 50i; The SD standard analog composite signal with the black muted is output. (4) Composite 480: 59.94i, 576: 50i; The SD standard analog composite signals are output.

HDMI

Connector: HDMI (Type A)

 

HD 8-bit 4:2:2 (YPbPr) 1920x1080: 60i/59.94i/50i, 1280x720: 60p/59.94p/50p

 

SD 8-bit 4:2:2 (YPbPr) 480: 59.94i, 576: 50i

Headphone Jack

1x 3.5mm stereo mini-jack

Remote Terminals

Fully LANC Compatible

 

Remote control through WFT-E6A accessory is also possible

Power Terminal

DC in on camera (no need for "Dummy Battery")

   

General

Other Features

Playback: Clip Display, 3x4 Index Display, Original, "OK Mark," "Check Mark," "Shot Mark," Expand, Photo (SD Card), Clip Metadata

 

Clip Playback: Forward Search (x5, x15, x60), Reverse Search (x5, x15, x60), Forward frame Advance, Reverse Frame Advance, Record Review, Skip to next clip, skip to previous clip Clip information Display:Clip Metadata display, custom picture settings Playback Functions: Inter-media Copy (Single Clip, All Clips, Last Clip); Clip Delete (Single Clip, All Clips, Last Clip)

 

Still Image Playback: index, single playback, erasure, protect

 

Custom Picture Settings: 23 Custom Picture settings

 

Custom Functions: 9 total functions

 

Custom Display: LCD panel and EVF information display can be customized

 

On Screen Markers

 

Assignable Buttons: 15 buttons, 37 functions

 

Color Bars: compliant with SMPTE, EBU, or ARIB standards

Language Support

English, Japanese, Chinese, German, Spanish, French, Italian, Polish, Russian

Time and Date

Automatic Calendar range January 1st, 2010 through December 31, 2031 selectable in American, Japanese and European Date formats.

World Clock

World Clock support - UTC time setting: Setting range from +14:00 to - 12:00

Power

Supply: DC 7.4 V (Battery Pack) / DC 8.4 V (DC In)

 

Battery: BP-9 Series (Excluding BP-925)

 

Compact Power Adapter: CA-940N

Operating Conditions

Performance requirements: (0° ~ 40° C) 85% (relative humidity)

 

Operating requirements: (-5° ~ 45° C) 60% (relative humidity)

Dimensions

Body only: 6.3 x 7.0 x 6.7 in (160 x 179 x 171 mm)

With monitor: 7.3 x 9.8 x 7.4 in (185 x 249 x187 mm)

With handle and monitor: 7.3 x 11.2 x 11.9 in (185 x 284 x 301 mm)

Weight

Body Only: 4 lb (1820 g)

Monitor Unit: 1.4 lb (645 g)

Handle Unit: 6.3 oz (180 g)

With Monitor, BP-955, and 2 CF cards: 6.0 lb (2705 g)

With Monitor, Handle, BP-955, and 2 CF Cards: 6.4 lb. (2885 g)

 

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