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Canon EOS C-500 Cinema Camera

PKR 1,399,999

Availability: Out of stock

10 - 12 Working Days
1 Year International

Details brings to you the best price for Canon EOS C-500 Cinema Camera with 1 year international warranty and free shipping all over Pakistan.


The Canon EOS C500 4K Cinema Camera (PL Lens Mount) represents Canon's first foray into the world of 4K digital cinema production. Sharing a sensor with the earlier EOS C300 PL camera, the EOS C500 PL fulfills the potential of the large (Super 35mm-size), high-resolution (8.8 Mp effective) CMOS imager by offering full 4K RAW output via 3G-SDI.

The C500 PL also has a body type in common with the C300 PL. Featuring large, accessible buttons with ridges dividing them, the EOS C500 PL has been designed expressly for the craft of digital cinema. Its signal output is similarly appropriate: At rates up to 60 frames per second, the 10-bit 4K RAW data stream output can be recorded to an approved external device (sold separately) at full resolution. Using a format called 4K half RAW, which halves the horizontal resolution, you can capture up to 120 fps to the external recorder by using both of the C500 PL's 3G-SDI outputs.

The Canon EOS C500 PL integrates with time-tested feature film production workflows. As 4K RAW data is being recorded externally, you can record proxy files at 50 Mb/s to the camera's internal CF card so rough-cut or dailies editing can begin immediately after a scene is complete. For the widest latitude for color correction in post-production, the camera offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and a greatly expanded dynamic range.

As its name suggests, the EOS C500 PL features a PL mount for compatibility not only with a broad range of compatible cine lenses from manufacturers like Angenieux and Zeiss, but also with Canon's burgeoning line of Cinema EOS lenses for PL mount. These lenses are designed to match up perfectly with the 3-perf Super 35mm-size CMOS sensor of this camera. Like the camcorder, these lenses (sold separately) were developed specifically for digital cinema, with engraved markings on angled surfaces in meters and feet and uniform front diameters for easy lens switching without having to reconfigure a matte box or follow focus gearing.


Canon Super 35mm CMOS Sensor

Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an effective resolution of 4096 x 2160. The image sensor employs an innovative readout technique that delivers full-bandwidth individual RGB video components without the need for any de-Bayering algorithms


RAW 4K Output

Using a single 3G-SDI output, the C500 PL is able to output a full 4K RAW (4096 x 2160-pixel) data stream in 10-bit color space, with full Bayer encoding and frame rates up to 60 fps. Using both of the camera's 3G-SDI outputs, the frame rate can jump as high as 120 fps, but with the horizontal resolution reduced by half and then interpolated back in


Canon Log Gamma

Shooting in Canon Log mode, cinematographers can set the camera exposure value using their customary light meter practices. This nonlinear transfer function is specifically designed to facilitate the post-production of digital images originating in Cinema EOS in a manner similar to the post-production of images digitally transferred from motion picture film (the contemporary DI process). By managing the disposition of quantization bits, Canon Log ensures excellent tonal reproduction within both highlight and low-light regions of a given digital image


Canon EOS C500 with PL Lens Mount

Designed to integrate into existing production setups, the EOS C500 PL is fully compatible with a wide variety of industry-standard PL-mount lenses, ensuring it will work seamlessly with trusted optics already in the filmmaker's possession. Compatibility with Canon's existing PL mount lenses means filmmakers can take advantage of the new optical designs Canon has developed for the cinema market


Canon Cinema EOS Lenses, Available in PL Mount

Some Canon Cinema EOS lenses (sold separately) are available in both PL and EF configurations. They're designed and engineered to meet or exceed the exacting standards of working professionals. Every Canon Cinema EOS lens is designed to fulfill contemporary 4K production standards, surpassing the performance requirements of any HD imaging system. Zoom lenses feature large aspherical lens elements to achieve sharp, consistent images in every shooting situation. Geared inner focusing minimizes focus-induced changes in the angle of view, rendering focus breathing virtually zero. The 11-blade aperture diaphragms ensure smooth out-of-focus areas and beautiful bokeh – and innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. Cinema EOS lenses provide markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or either side of the camera. Focus markings can be switched from standard labeling to metric. Control rings are designed to maintain the proper amount of resistance with consistent operating torque. Cinema EOS lenses share uniform gear position, diameter and rotation angle as well as front lens diameters, enabling the film crew to quickly change to another Canon zoom or prime lens or compatible third-party accessories like matte boxes and rods without adjustments


Designed with Filmmakers in Mind

With everything a cinematographer needs, the EOS C500 PL comes ready to produce. A logical layout of buttons and dials make operation simple. A lock switch turns off all controls except the recording button and function buttons. Small ridges between the buttons help prevent activating functions by mistake. A backlit display panel is great for low-light viewing. A tally lamp is clearly visible from the side or behind the camera


Comfortable Ergonomic Controls

The moment you pick up the EOS C500 PL, you'll feel right at home. Four separate start/stop buttons and 15 other customizable buttons distributed over the camera body mean quiet and intuitive access


Accommodating File-Based Production

The Cinema EOS system creates full HD proxy files in the internationally standardized Material eXchange Format (MXF), wrapping video and audio with metadata in a single file that maintains access to critical information throughout the production process






Effective Pixels

4096 x 2160 pixels, approx. 8.85 megapixels

Total Pixels

4206 x 2340 pixels, approx. 9.84 megapixels

Sensor Type


Scanning System



RGB Primary Color Filter (Bayer Array)


Digic DV III

Minimum Illumination

59.94 Hz Mode: 0.3 Lux (f/1.2, 24 dB, 29.97p, 1/30 sec.)


50.00 Hz Mode: 0.25 Lux (f/1.2, 24 dB, 25p, 1/25 sec.)


59.94 Hz Mode: F9 (1920 x 1080/59.94i, ISO 640 (0 dB), 2000 lux, 89.9% Reflection)


50.00 Hz Mode: F10 (1920 x 1080/50i, ISO 640 (0 dB), 2000 lux, 89.9% Reflection)

S/N Ratio

59.94 Hz Mode: 54 dB (1920x1080/29.97p, Canon Log, ISO 850, Dynamic Range 800%)


50.00 Hz Mode: 54 dB (1920x1080/25p, Canon Log, ISO 850, Dynamic Range 800%)

Dynamic Range

During Normal Shooting: 300%


With Canon Log Gamma: 800% (ISO 850 or above, gain 2.5dB or above)

Lens System

Mount Type


ND Filter

Mechanical ND filter system with option of clear, 2, 4, and 6 stops

Iris Dial

Iris Dial located on camera body for use with EOS EF Lenses with electronic Iris control

Peripheral Illumination Correction


Exposure Control


Normal Setting: -6 ~ 30 dB


Fine Setting: 0 ~ 24 dB in 0.5 dB increments


320 ~ 80,000

Shutter Modes

OFF; Speed; Angle; Slow Shutter; Clear Scan


Speed Mode is selected in 1/3 or ¼ stop increments

Shutter Speed Range

59.94i/59.94p: 1/60 ~ 1/2000 in 1/4 or 1/3 stops


SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.27 Hz


29.97p: 1/30 ~ 1/2000 in 1/4 or 1/3 stops


SLS: 1/4, 1/8, 1/15; CS: 29.97 Hz - 250.27 Hz


23.98p/24p: 1/24 ~ 1/2000 in 1/4or 1/3 stops


SLS: 1/3, 1/6, 1/12; CS: 23.97 Hz - 250.27 Hz


50i/50p: 1/50 ~ 1/2000 in 1/4 or 1/3 stops


SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.78 Hz


25p: 1/25 ~ 1/2000 in 1/4 or 1/3 stops


SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.78 Hz

Shutter Angle Settings

59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25


29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25


23.98p/24p: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25


50i/50p: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25


25p: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25

Iris Control

With compatible EF lenses: 1/2, 1/3 stop, or fine setting

White Balance

Kelvin Setting: 2,000K ~ 15,000K in 100K increments


Presets: Daylight (5,400K); Tungsten (3,200K); Kelvin


White balance shift is available within Presets (-9 to +9)

Auto Black Balance



External Recording Output

4K RAW 10bit 4096x2160 or 3840x2160 at 59.94p/29.97p/23.98p/50p/25p/24p


4K RAW 10bit 4096x1080 or 3840x1080 at 62p up to 119.88p in 2 frame steps


2K RGB 444 12bit 2048x1080 or 1920x1080 at 59.94p/29.98p/23.98p/50p/25p/24p)


2K RGB 444 10bit 2048x1080 or 1920x1080 at 59.94p/29.98p/23.98p/50p/25p/24p)


2K YCC 422 10bit 2048x1080 or 1920x1080 62p up to 119.88p in 2 frame steps


Video: 8 Bit MPEG-2 Long GOP


Audio: Linear PCM; 2-Channel; 16-Bit; 48 kHz

Maximum Bit Rate

50Mbps (CBR)

Recording Options

50 Mbps (CBR) 4:2:2 422P@HL


1920x1080 at 59.94i/29.98p/23.98p/50i/25p/24.00p


1280x720 at 59.94/29.98p/23.98p/50p/25p/24.00p


35 Mbps (VBR) 4:2:0 MP@HL


1920x1080 at 59.94i/29.98p/23.98p/50i/25p


1280x720 at 59.94/29.98p/23.98p/50p/25p


25 Mbps (CBR) 4:2:0 MP@H14


1440x1080 at 59.94i/29.98p/23.98p/50i/25p

Recording Time

2GB: 5 min (at 50 Mbps), 5 min (at 35 Mbps), 10 min (at 25 Mbps)


4GB: 10 min (at 50 Mbps), 10 min (at 35 Mbps), 20 min (at 25 Mbps)


8GB: 20 min (at 50 Mbps), 25 min (at 35 Mbps), 40 min (at 25 Mbps)


16GB: 40 min (at 50 Mbps), 55 min (at 35 Mbps), 80 min (at 25 Mbps)


32GB: 80 min (at 50 Mbps), 110 min (at 35 Mbps), 155 min (at 25 Mbps)


64GB: 160 min (at 50 Mbps), 225 min(at 35 Mbps), 310 min (at 25 Mbps)

Recording Media

CF Card (Type 1 Only); 2 Slots (Movie Files); UDMA supported


SD/SDHC/SDXC cards (JPEG), Custom Picture Data*, Clip Metadata, and menu settings 


*Custom Picture Data and settings are not compatible with data from others Canon models

File Format

MXF (OP-1a)

Maximum Clip Number

999 (per media)

Audio Features

Recording Channel Selection: CH1/CH2, CH1/CH1, CH2/CH2, ALL CH/ALL CH


XLR Mic Trimming: -12dB, -6 dB, 0dB or +12 dB


Limiter: available


Recording Level Adjustment Range: - Infinity to +18dB


Phantom Power: +48V


Headphone Adjustment: 16 Settings (volume is muted at lowest setting)


1 KHz Tone: -12, -18, or -20 dB

Slow and Fast Motion Recording

This feature records at a different frame rate then the playback rate, allowing for fast and slow motion effects. Slow and Fast Motion Recording is available in 4K and 2K modes to external recording devices.


4K RAW (4096x2160/3840x2160)


1-60 fps (60Hz/24:00); 1-50 (50Hz) 


4K HRAW (4096x1080/3840x1080)


1-60, 62-120 in 2 frame increments (60Hz/24:00); 1-50, 52-100 in 2 frame increments (50Hz) 


2K RGB 4:4:4 (2048x1080/1920x1080)


1-60. 62-120 in 2 frame increments (60Hz/24:00); 1-50, 52-100 in 2 frame increments (50Hz) 


2K YCC 4:2:2 (2048x1080/1920x1080)


1-60, 62-120 in 2 frame increments (60Hz/24:00); 1-50, 52-100 in 2 frame increments (50Hz) 


50 Mbps 1920x1080


1-30 (29.97p/23.98p/24.00p); 1-25 (50i/25p) 


50 Mbps 1280x720


1-60 (59.94p/29.97p/23.98p/24.00p); 1-50 (50p/25p) 


35 Mbps 1920x1080


1-30 (29.97p/23.98p/24.00p); 1-25 (50i/25p) 


35 Mbps 1280x720


1-60 (59.94p/29.97p/23.98p/24.00p); 1-50 (50p/25p) 


25 Mbps 1440x1080


1-30 (29.97p/23.98p)

Time Code

Drop Frame (not available in 24P)


Non-Drop Frame

Time Code Modes

Regeneration, Record Run, Free Run and External Source

Special Recording Functions

Relay Recording, Double-Slot Recording, Copying between Media, Photo Recording Mode, Waveform Monitor (Standard and RGB Component modes), Vectorscope, Peaking (2 types), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode, Interval Record, Frame Record Pre-Record (3 seconds cache), Scan Reverse


Electronic View Finder

Viewing Angle Adjustment: viewing Angle can be adjusted up and down 60°


Diopter Adjustment Range: +2.0 to -5.5


Adjustments: brightness, contrast, color, and backlight


Type: LCD


Display Adjustments: brightness, contrast, color, sharpness, and backlight




HD 8-bit 4:2:2 (YPbPr) 1920x1080: 59.94i/50i/23.98/24.00, 1280x720: 59.94p/50p/23.98/24.00


SD 8-bit 4:2:2 (YPbPr) 480: 59.94i, 576: 50i BNC Connector, output only


NTSC 480i/PAL 576i: Compliant with SMTPE 259M


Embedded Audio: Compliant with SMTPE 272M


Time Code Standard: (VITC/LTC) SMTPE 12M


HD-SDI: (Compliant with SMTPE 292M) 


1080i/720p: Compliant with SMTPE 292M


Embedded Audio: Compliant with SMTPE 299M


Connector: 2x BNC


Output Modes: RAW (10-bit); RGB 4:4:4 (10-bit/12-bit); YCC 4:2:2 (10-bit) 


Frame Rates: 23.98p/24.00p/25.00p/29.97p/59.94p/50p

Audio Inputs

2x XLR inputs (auto and manual level settings) 


1x External microphone terminal (3.5 mm diameter)

Video Output

Connector: 2x BNC


Resolution: 2048x1080 / 1920x1080


Frame Rates: 23.98p/24.00p/25.00p/29.97p/30p/59.94p/50p/60p


Color Space: YPbPr 10-bit

Time Code I/O

Connector: BNC (Input and Output)


Connector: BNC (Input Only)


Adjustment range: -1023 ~ 1023

Synch Out

Connector: BNC


(1) HD tri-level signal (HD Sync) 1920x1080: 59.94i/50i/23.98/24.00, 1280x720: 59.94p/50p/23.98, 24.00; The HD standard analog component Y signal with the black muted is output. (2) HD-Y signals (HD-Y) 1920x1080: 60i, 59.94i/50i, 1280x720: 60p/59.94p/50p; Only the HD standard analog component Y signal is output. (3) Black burst signal 480: 59.94i, 576: 50i; The SD standard analog composite signal with the black muted is output. (4) Composite 480: 59.94i, 576: 50i; The SD standard analog composite signals are output.


Connector: HDMI (Type A)


HD 8-bit 4:2:2 (YPbPr) 1920x1080: 60i/59.94i/50i, 1280x720: 60p/59.94p/50p


SD 8-bit 4:2:2 (YPbPr) 480: 59.94i, 576: 50i

Headphone Jack

1x 3.5mm stereo mini-jack

Remote Terminals

Fully LANC Compatible


Remote control through WFT-E6A accessory is also possible

Power Terminal

DC in on camera (no need for "Dummy Battery")



Other Features

Playback: Clip Display, 3x4 Index Display, Original, "OK Mark," "Check Mark," "Shot Mark," Expand, Photo (SD Card), Clip Metadata


Clip Playback: Forward Search (x5, x15, x60), Reverse Search (x5, x15, x60), Forward frame Advance, Reverse Frame Advance, Record Review, Skip to next clip, skip to previous clip Clip information Display:Clip Metadata display, custom picture settings Playback Functions: Inter-media Copy (Single Clip, All Clips, Last Clip); Clip Delete (Single Clip, All Clips, Last Clip)


Still Image Playback: index, single playback, erasure, protect


Custom Picture Settings: 23 Custom Picture settings


Custom Functions: 9 total functions


Custom Display: LCD panel and EVF information display can be customized


On Screen Markers


Assignable Buttons: 15 buttons, 37 functions


Color Bars: compliant with SMPTE, EBU, or ARIB standards

Language Support

English, Japanese, Chinese, German, Spanish, French, Italian, Polish, Russian

Time and Date

Automatic Calendar range January 1st, 2010 through December 31, 2031 selectable in American, Japanese and European Date formats.

World Clock

World Clock support - UTC time setting: Setting range from +14:00 to - 12:00


Supply: DC 7.4 V (Battery Pack) / DC 8.4 V (DC In)


Battery: BP-9 Series (Excluding BP-925)


Compact Power Adapter: CA-940N

Operating Conditions

Performance requirements: (0° ~ 40° C) 85% (relative humidity)


Operating requirements: (-5° ~ 45° C) 60% (relative humidity)


Body only: 6.3 x 7.0 x 6.7 in (160 x 179 x 171 mm)

With monitor: 7.3 x 9.8 x 7.4 in (185 x 249 x187 mm)

With handle and monitor: 7.3 x 11.2 x 11.9 in (185 x 284 x 301 mm)


Body Only: 4 lb (1820 g)

Monitor Unit: 1.4 lb (645 g)

Handle Unit: 6.3 oz (180 g)

With Monitor, BP-955, and 2 CF cards: 6.0 lb (2705 g)

With Monitor, Handle, BP-955, and 2 CF Cards: 6.4 lb. (2885 g)


Additional Information

Additional Information

Item Status N/A
Featured No
Deal Qty No
Old Price No